2005 - 2001

Notas de Prensa

Marturet, with absolute control and confronted with the expected difficulties of a fantastic score, Ginastera’s Variaciones Concertantes, conducted the group marvelously leaving plenty of freedom for each and everyone of the soloists. It was a good occasion to prove, once more, the phenomenal ability of Ginastera, but also the conductor’s trustworthy and the many talents of the Philharmonic’s musicians.
La Nación, Buenos Aires – May 29, 2004

As a recognition to his ability and that of the musicians, the orchestra sounded serene, classical, stable and musical. The second movement, with its caracteristical shifts of schubertian tonality, enjoyed a truly happy reading.
La Nación, Buenos Aires – May 22, 2004

The Berliner Symphoniker played a spicy programme under the direction of their Venezuelan conductor Eduardo Marturet showing a rare capacity to play Elgar’s Enigma Variations with great sensitivity, color, vitality and flexibility.
Der Tagespiegel, Berlin – Aug. 27, 2002

Verklärte Nacht by Arnold Schönberg, an extremely inspired score for string orchestra, written before his serial explosion. The interpretation by Marturet and the OSSB stood at the highest level.
El Mundo, Caracas – Jul. 30, 2002

Eduardo Marturet, since years permanent guest conductor of the Berliner Symphoniker, just recorded 3 CDs with the orchestra and will conduct 3 concert programmes on the Latin American tournè. Among them, Brahms’ Second Symphony, just performed at Berlin’s Philharmonie, shines rich in contrasts.
Berliner Morgenpost, Berlin – Nov. 24, 2001

The Berliner Symphoniker, full of temperament, in their Latin American tournè, with the Venezuelan conductor Eduardo Marturet with his conducting style, with great contrasts, his great gestures, his great podium presence, and, his speeches about friendship among the nations, bewitched the audiences.
Berliner Morgenpost, Berlin – Nov. 18, 2001

Sustained by the strong melodic stream, Brahms’ Second Symphony sounded both sensitive and passionate; likewise the wild, ardent and involved interpretation of Beethoven’s Seventh by Eduardo Marturet at Caracas’ Teresa Carreño Theatre.
Berliner Morgenpost, Berlin – Nov. 1, 2001