Marturet had an ovation with Schubert (Symphony No. 5)
Diario de Navarra, Pamplona – Jun. 13, 1995

Marturet never exaggerated the sacred feeling, presenting the symphony (Brahms’ 3rd) with style and elegance.
Berliner Morgenpost, Berlin – Feb. 22, 1994

The real highlight was the performance of the Second Symphony – Marturet stuck very conscientious to the score but gave the orchestra enough freedom to make music. The spirit of Brahms sounded throughout the whole symphony.
Haarlems Dagblad, Haarlem – Feb. 23, 1993

Eduardo Marturet made an excellent impression. Both the Tragic Overture and the Second Symphony sounded because the fortunate combination of South-American temperament and German ‘Grundlichkeit’ in a very dark glowing Brahmsian way.
Limburgs Dagblad, Limburg – Feb. 18, 1993

Marturet’s interpretation of Brahms draws people attention. His Third Symphony, the lesser known of the four, sounded fresh, striking in tempo and articulation. The orchestra followed the conductor’s extravagant gestures achieving great moments.
Der Tagespiegel, Berlin – Nov. 4, 1992

Accardo played Brahms accompanied by Marturet more expressive and theatrical than ever, once again the perfect match for an important soloists.
El Nacional, Caracas – Dec. 2, 1991

Humanity and musicality in big affinity – Marturet conducting Tchaikovsky for a sold-out house.
Bad Salzuflen – Feb. 25, 1991

Marturet, conducted the NWD Philharmonie full of agility and emotion, with so much sensitivity that even the percussion attacks were lyrical happenings.
Detmold – Feb. 21, 1991